The divine geometry of Chocolate

In this series, I take chocolate and paint as signs of excess to establish parallels between the two substances, underscoring the overlapping principle of pleasure in the process of materializing the idea. This hybrid series understands the dullness of life without pleasure, that its unique origin is born out of the encounter of old and new worlds, and that the distance between modernity and postmodernity can be melted (and savored) like chocolate. [ For Michael ]