Current

Everyday Grappling Operations, a project and installation at the Orange County Museum of Art. Opening reception November 3, 2018, continuing through March 17, 2019.

The Moment When You Feel, an installation for the Mexicali Biennial, CALAFIA: Manifesting the Terrestrial Paradise, at the Robert and Frances Fullerton Museum of Art. Opening reception Thursday, October 4, on display through December 15, 2018. Performance on December 1, 2018.

The Pink Elephant In The Room / El Elefante Rosado En La Habitación, a mural for El Mañana No Existe, curated by Lorena Gonzalez for the Galería Beatriz Gil in Caracas, Venezuela. Opening reception Sunday, October 14, 2018.

“the matter of dreams (in color) a proposition for present future dreamers,” published in the anthology of recent performance scores, directions and instructions “Propositional Attitudes: What do we do now?” (John Burtle and Elana Mann, eds. 2018: Golden Spike Press), will be performed by Sebastian Hernandez on November 4th at LACE, 4-6pm

About

Mariángeles Soto-Díaz began her art studies in Venezuela, currently one of the most violent countries in the world but then a promising oil-producing nation where Modernism’s failed promise was particularly poignant.

Working in a range of formats, her practice registers the multiplicity of her own subject position, moving across conceptual borders to reframe the relationship between speculative spaces and politics through notions of affect. She is interested in creating objects, installations and events that examine how new feminist materialisms and the rifts caused by power differentials are understood.

Soto-Diaz holds a BA in Art and a minor in Psychology from Hampshire College, an MA in Aesthetics and Politics from CalArts and an MFA from Claremont Graduate University. Her work has been exhibited at venues including Orange County Museum of Art, MASS MoCA, El Museo del Barrio in NYC, the University of Iowa Museum, Robert and Frances Fullerton Museum of Art, and the Wignall Museum, among others, and has been reviewed in publications such as Hyperallergic, the LA Times, Art Nexus, El Nacional, El Universal and Arte al Día. Soto-Diaz is based in Southern California and is the founder of the Unconfirmed Makeshift Museum (UMM), a flexible artist-run project with a playful utopian sensibility that examines feminist and domestic politics.